The Impossibility of Bats: A Pseudo-Sestina

It’s glaringly clear. You’re lying. You’ve never cared about babies. You only care about bats. If you have to listen to anything screaming, you finally admit after all these years of marriage, let it be bats. Plus, unlike babies, you say, bats could live in ottomans.
Granted, you say, they’d have to be big, cavernous ottomans. One of many glaring problems with your bat-daddy dreams. Babies only scream for the first few years, I say, bats shriek forever. People lie about how bad bats are, you say. Have you ever heard a bat scream? It’s actually quiet, gentle as a baby.
So you don’t mind babies, I say. I’m fine with the ones I can keep in ottomans, you say. Which would be bats, I say. You just glare at me. Or are you still lying, I ask. I never lie to you, you scream.
You have two modes, I say: lying or screaming. What kind of parents would we be for a baby, you ask. The only lie here is that we’d be ready. And yet, I say, you’re ready to take care of ottomans full of bats? I wait for you to acknowledge the glaring hypocrisy of this logic. Instead you say, Yes, I’ll take bats over babies any day.
You want bats? I ask, hefting the Louisville Slugger we keep by the door. Want to hear some real screaming? The viciousness leaches out of your glare. This is no home for babies, you sigh. If we had one, I’d have to hide it in the ottoman every time Mommy got mad. That’s a lie, I scream.
But really I just want to put away the baseball bat and lie down. Because you’re right: living bats could simply have flown away from our rage. No need to hide in an ottoman. Bats can fly far beyond their screaming parents. Babies can’t. That’s the glaring hole in my plan.
We can’t fit giant, cavernous ottomans in our apartment; that part is still a lie. The glaring impossibility of bats has struck us. Now the only screaming we can hear is from the babies we’ll never have.

Armed for Love: A Pseudo-Sestina

“I’m really digging this new you,” she said. “You gun-toting badass.” I disregarded the fact that she was feasting her eyes not on me, but on my better half. Yes, I honestly fretted my AR-15 was the best of myself, held in my arms. Some day she would realize the glaring truth and be done with me. She and my AR-15 would go sailing off into the future without me.
She sent another clay pigeon sailing out of the machine. I dug in my feet and squeezed another round into the sky. I couldn’t see through the glare of the sun, but I heard—well, I only heard ringing in my ears. True gun-toting and ear protection didn’t belong together, not in her eyes. No use fretting over hearing loss. Like she always said, you don’t win the feast of life with famine mentality.
I was having a little trouble remembering what the feast was, though. Sailing through boxes of ammo day after day like there was no bottom to my bank account, it seemed her feast would lead to my famine. But fretting was unsexy, according to her, so I put on my best Clint Eastwood face and told her to pull again. Maybe if I dug my hole deep enough, I’d come out somewhere better on the other side. Maybe I’d be able to stop toting this gun around over there. Maybe I wouldn’t have to face her glaring disapproval for wanting to do without it.
I was surprised my doubts weren’t glaringly clear to her. But then, she was too busy feasting on the power of my AR-15. Toting this gun required carrying more than the weight of it. I wanted to sail into a lighter life, one where the power to kill wasn’t the most important thing about me. I was not digging this new me; I just wanted to go back to the old me. My fingers missed the frets of my guitar.
The whole time I should have been fretting about my musical career. My hearing loss would be glaringly obvious if I ever went back to my band. I never dug being a starving musician, but at least I’d been a decent one. For sure, I hadn’t been feasting—other than on the cruise ship gigs I’d get from time to time. And with her money, I thought I’d be sailing into a sweet future of music for music’s sake. Turned out to be a gun-toting nightmare.
I pointed the gun downward and asked if she thought she’d ever get tired of the gun-toting life. She looked at me, visibly fretting. Then she gestured at me to raise the gun, and she set another clay pigeon sailing. When I didn’t take the bait, she glared at me and released another one. That’s when I knew my feasting days were over. I’d dug my own grave—but one I was happy to fall into.
At that point I felt the whoosh of a clay pigeon sailing past my gun-toting head. With any other man, she could have been digging her own grave, but with me there was no need to fret. Her glaring disdain released me into my life of feasting on music once more.

Tara Campbell is an award-winning writer, teacher, Kimbilio Fellow, fiction co-editor at Barrelhouse, and graduate of American University’s MFA in Creative Writing. She teaches creative writing at venues such as American University, Johns Hopkins University, Clarion West, The Writer’s Center, Hugo House, and the National Gallery of Art. In addition to Gargoyle, publication credits include Masters Review, Wigleaf, Electric Literature, CRAFT Literary, and The Rumpus. She’s the author of a novel, two hybrid collections of poetry and prose, and two short story collections. Her sixth book, City of Dancing Gargoyles, is forthcoming from Santa Fe Writers Project (SFWP) in fall 2024. Find her at www.taracampbell.com