FILAMENT
after “Strophes,” by Joseph Brodsky
Glasses are circles that circle the silent sun. Dearest, your outline is a part of the shadowy past. The stones were soon filled with a loving vengeance, a revolt against old age. I: a vertical intermission, a dim and clapping echo of forget-me-nots, languishing in language, lacking in syllable selection. Dearest, the species scatter amidst a bellowing “Where to?” They hoist their varied number of legs that go round and round on a jiving carousel built of immortal lambs who’ve done their best. Dearest, are you immunized or just blackmailed? I don’t really care. My concerns exist only in a flying saucer piloted by a photograph of a plainclothes virgin. It is the present. We are rambling. We never deviate.Tales of Flisk, #18
In the early days of radio constant mayhem entertained those who tuned in to Flecker the Bumbling Mesmerist, whose star, Ritz Silverfarb, soon earned enough to give up his rocket ship upholstering business. Big deal when the show offered to broadcast from the first town that would change its name to Flecker the Bumbling Mesmerist, which Flisk, British Columbia (last stop before heading east on the Salmo-Creston Pass), eagerly
did.
These days, the children of Flecker the Bumbling Mesmerist have no idea who you’re talking about when you mention Ritz Silverfarb, whose statue looms in front of the town’s post office, nor can they name a single episode of the radio show that put their town on the map. But old Mr. Snitchell, who sits on his porch awaiting a plate of ham sandwiches (no crusts) prepared by his wife, Snooky, who passed 13 years ago – why, he can spiel every bit of dialogue
(You want I should stack the chickens one on top of the other?)
that ever entered the ears of those
(Who invited this tedious nudnik to our seder!)
who crowded around old radio sets
(So I advised Mrs. Haftwurcel to adopt a ventriloquist dummy!)
listening to the rollicking adventures of Moishe Flecker
(Soon we’ll all be little flecks – just bupkis – in the void … )
every Sunday evening at seven. Then
suddenly
everything revolved around hula hoops, and a conscienceless wall of crackling flames razed the land.
This
has been brought to you by Snip Snip Woof Woof, the most reliable dog clippers in the galaxy. Princey will lick your face all day long as the children look up from their Etch A Sketches and chuckle.
OPENING NIGHT
Stuart Ross is an award-winning Canadian fiction writer, poet, editor, and creative-writing instructor. He has been active in the Canadian literary scene since the mid-1970s and launched his micropress Proper Tales in 1979. His magazines have included Mondo Hunkamooga: A Journal of Small Press Reviews, Peter O’Toole, and The Northern Testicle Review. His books include I Am Claude François and You Are a Bathtub (stories), Snowball, Dragonfly, Jew (novel), The Sky Is a Sky in the Sky (poetry), Confessions of a Small Press Racketeer (essays), and The Book of Grief and Hamburgers (memoir). Stuart lives in Cobourg, on the shore of Lake Ontario.