FILAMENT

after “Strophes,” by Joseph Brodsky

Glasses are circles
that circle the silent sun.
Dearest, your outline
is a part of the shadowy past
. The stones were soon filled
with a loving vengeance, a
revolt against old age.
I: a vertical intermission,
a dim and clapping echo
of forget-me-nots,
languishing in language,
lacking in syllable selection.
Dearest, the species scatter
amidst a bellowing “Where to?”
They hoist their varied
number of legs that go round
and round on a jiving carousel
built of immortal lambs
who’ve done their best. Dearest,
are you immunized or just
blackmailed? I don’t really care.
My concerns exist only
in a flying saucer
piloted by a photograph
of a plainclothes virgin.
It is the present.
We are rambling.
We never deviate.

Tales of Flisk, #18

In the early days of radio
constant mayhem entertained
those who tuned in to Flecker
the Bumbling Mesmerist,

whose star, Ritz Silverfarb,
soon earned enough
to give up his rocket ship
upholstering business. Big deal
when the show offered to
broadcast from the first town
that would change its name
to Flecker the Bumbling
Mesmerist, which Flisk,
British Columbia (last stop
before heading east
on the Salmo-Creston Pass), eagerly

did.

These days, the children of Flecker
the Bumbling Mesmerist
have no idea
who you’re talking about
when you mention Ritz Silverfarb,
whose statue looms in front
of the town’s post office,
nor can they name a single
episode of the radio show
that put their town on the map.
But old Mr. Snitchell,
who sits on his porch
awaiting a plate
of ham sandwiches
(no crusts)
prepared by his wife, Snooky,
who passed 13 years ago –
why, he can spiel
every bit of dialogue

(You want I should stack the chickens one on top of the other?)

that ever entered
the ears of those

(Who invited this tedious nudnik to our seder!)

who crowded around
old radio sets

(So I advised Mrs. Haftwurcel to adopt a ventriloquist dummy!)

listening to the rollicking
adventures of Moishe Flecker

(Soon we’ll all be little flecks – just bupkis – in the void … )

every Sunday evening
at seven. Then

suddenly

everything revolved around
hula hoops, and
a conscienceless wall
of crackling flames
razed the land.

This

has been brought to you
by Snip Snip Woof Woof,
the most reliable
dog clippers in the galaxy.
Princey will lick your face
all day long as the
children look up
from their Etch A Sketches
and chuckle.

OPENING NIGHT

Who has launched the floating eggs? Those with degrees
in business or commerce. A tulip or some other
cannibalistic flower coughs into the fold of my sex an
opinion that bobs across the sweat of my ghastly forehead
until a cigarette’s stranglehold steals his breath
and slams him to the kitchen floor. She cops to
having little left to gasp her declarations of love,
so she doesn’t come home: she cradles a rabbit in the turret
of the tower she erected while sleeping, comforted
by the weight of Phyllis Diller’s ebullient necklace,
summoning the march of nutcrackers through the resplendent
heft of the iron gate. Quality is what it’s all about. An effusive holler
into the wizened ear of the man lying fetal on a sofa as Alzheimer’s
puts on Broadway plays between his teeth and toes. Look there!
The light leaks out slowly beneath the splintered door.

Stuart Ross is an award-winning Canadian fiction writer, poet, editor, and creative-writing instructor.  He has been active in the Canadian literary scene since the mid-1970s and launched his micropress Proper Tales in 1979. His magazines have included Mondo Hunkamooga: A Journal of Small Press Reviews, Peter O’Toole, and The Northern Testicle Review. His books include I Am Claude François and You Are a Bathtub (stories), Snowball, Dragonfly, Jew (novel), The Sky Is a Sky in the Sky (poetry), Confessions of a Small Press Racketeer (essays), and The Book of Grief and Hamburgers (memoir). Stuart lives in Cobourg, on the shore of Lake Ontario.