Steven B. Rogers

Hyacinth Drift

I do not understand how anyone can live
without some small place of enchantment
to turn to.

– Marjorie Kinnan Rawlings

I. Mekong Delta

a labyrinth of confusion
this hyacinth drift
purple smear across green
waters blossoms cluster
before the bow breaks
dragon eye boats passing
blossoms gather again
in the wake          moving
with each gathering wave
we watch them rise & fall
as they drift          floating
islands in a bustling delta
this vast system of channels
thick swamps & sand bars
where wide & narrow
currents flow quickest
past stilted markets  here
where waters runs deepest
channels open & close again
as hyacinths keep drifting
at their own rhythm
where are these flowers from
& where are they headed
floating through life’s abyss
struggling battered & bruised
these days thick with humidity
we forget the pace of the world
learning how to best trust nature

II. River Styx – Florida

fed by hidden artesian springs
at the margins of the central ridge
defying gravity          bringing water
from the depths of Florida’s cellar

slough waters barely a ripple
or splash          taking their time
wandering through oxbows
past islands & bayous          black
water swamps where the flow
creep past cypress knees         
swirling at the river’s edge
shining silver like mercury
in the sun’s glare           obscuring
sunken logs          a shy gator
watch as a small john boat
passes downstream among
the hyacinths drifting in slack
current          fusing with frog’s-bit
its heart-shaped petals a white
floral mat against the riverbanks
bounded with dense pocosin
sabal palms & red cedars fire
scorched black          beyond
the waterline broom sedge &
scrub hickory take root on sandy
hard pan          slash pine hammocks
& wiregrass savannah rooted in
saturated soils          perched aquifier
imagine Charon ferrying souls
among the drifting hyacinths
across this modern River Styx
where lost souls may still wander
like these islands of purple blossoms
along fetid banks           peaty muck
reeking strongly of death & decay

Ice Pond

constellations of gulls hover
above the ice pond where mallards
hold court on its marshy leeway
heads dipping beneath the surface
rising again        nibbling for a moment
then lowering them again in unison
duck bottoms aimed skyward

gulls descending to the pond squawking
they drop from the silver sky gently
gracefully settling quietly along
pond edges to frolic & splash
taking no notice of the osprey assuming
his higher station         surveying
all that is occurring far below

come winter the pond grows very still
thin ice spreads first from marshy edges
soon to thicken & seal it firm & tight
gone are the gulls & ducks & osprey
having migrated south to warmer latitudes
a cold wind sweeps the snows away
& falls silent        ice glistening bright

The Baffled King

in memory of Leonard Cohen (1934-2016)

leaving Westmont behind preferring
the bohemian life of Le Plateau
he sat on his stoop in the rue Vaillièrres
watching the children play in the park
across the street          others strolled past
as he sketched poems          song lyrics
magic was afoot          sansregret
secret chords that pleased the lord

this was home but he lives here no longer
passing on the Left Coast still seeking
a revelation of himself        a healed wound
he rests now on the far side of Mont Royal
buried before anyone knew he was gone
they come now to his quiet stoop with flowers
it is a sad day          it is a broken hallelujah

Tilghman Island

stillness descends through the early morning
hours as dawn breaks over Harris Creek
a blue heron strides on long legs
through mud & eel grass          a skipjack
crew silently prepares for a day
dredging oysters on the Little Choptank
anticipating rough waters forecasters post
warnings      25 knot winds & seas six foot
not uncommon on the bay in early December

the Rebecca Ruark quits Dogwood Harbor
just after dawn        Tilghman watermen huddle
for warmth          wind & seas strengthen
with passage from the quiet creek into the bay
other boats in the harbor that morning
left their moorings          crews standing shoulder
to shoulder along the gunwales          they set
sail for the open bay          for the oyster rock
that will make their pay & feed their families

Steven B. Rogers is originally from Chicago and is a forensic human rights historian based in Washington, DC.  He is the editor of A Gradual Twilight: An Appreciation of John Haines (CavanKerry, 2004), and his essays, reviews, and poems have appeared in earlier issues of Gargoyle, and in several other publications.  He and his wife are longtime residents of historic Mount Rainier, Maryland.  They summer on Monhegan Island in Maine where the two poems appearing in this issue were written.