Memo Atken &
Katie Peyton Hofstadter

Superradiance

SUPERRADIANCE (link to superradiance.net) is a multiscreen video and sound installation and film by Memo Akten and Katie Peyton Hofstadter that invites the viewer to extend their bodily perception beyond the skin and into the living environment. The work interweaves dance, poetry, music, generative imagery and the neurological phenomenon of embodied simulation with artificial intelligence to evoke a visceral, intimate connection to the living planet, inviting us to not only observe, but also feel this connection in our own bodies. View the full work here: superradiance.net<

SUPERRADIANCE opens March 29 in Los Angeles, at CTRL Gallery at 945 Chung King Rd (through April 30). Also showing at Xtopia / Hope Alkazer, Istanbul (March 21—May 4); the 21st Athens Digital Arts Festival / Simulacra (April 3-7); and Jacob’s Pillow, Berkshires (June 6-13). Full schedule —> https://superradiance.net/#exhibitions

Music for Chapter 2: Rutger Zuydervelt

Studio Assistant: Milana Gorobchenko

With research support from: Grant Deane + Dale Stokes of the Scripps Ocean-Atmosphere Research Simulator (SOARS)
Charlotte Seid, Museum Scientist, Scripps Institute of Oceanography
Jules Jaffe, Research Oceanographer, Scripps Institute of Oceanography

Memo Akten is a multi-disciplinary artist, musician, and researcher creating Speculative Simulations and Data Dramatizations investigating the intricacies of human-machine entanglements. His work explores perception and states of consciousness; the tensions between ecology, technology, science and spirituality; and for more than a decade he’s been working with Artificial Intelligence, Big Data and our Collective Consciousness as scraped by the Internet, to reflect on the human condition. He writes code and uses algorithmic / data-driven design and aesthetics to create moving images, sounds, large-scale responsive installations and performances. He holds a PhD from Goldsmiths University of London, specializing in artistic and creative applications of Artificial Intelligence, and he is currently Assistant Professor of Computational Art at University of California San Diego (UCSD).

Akten has received numerous awards including the prestigous Prix Ars Electronica Golden Nica. His work has been widely exhibited and performed internationally at venues such as The Grand Palais, The Barbican, The Royal Opera House, ZKM Center for Art and Media, Sonar Festival, Moscow Museum of Modern Art, Shanghai Ming Contemporary Art Museum and many others. He has been featured in major publications such as Wired, The Guardian, Dazed, Nowness, The Financial Times, and he has collaborated with celebrities such as Lenny Kravitz, U2, Depeche Mode and Professor Richard Dawkins. He has served as mentor and jury on numerous international awards, residencies and conferences such as SIGGRAPH, Ars Electronica, and Google Arts and Culture.

Katie Peyton Hofstadter is a Los Angeles-based multidisciplinary artist, writer, and curator whose work investigates the complex intersections of embodiment, technology, and consciousness. Through her diverse practice, she explores the dynamics between knowing and feeling, and examines how emerging technologies—particularly artificial intelligence and technologically-mediated imagination—shape both cultural narratives and direct experience.

She has exhibited internationally and co-founded several international art campaigns, including the ARORA network—connecting artists creating AR monuments to diverse female and gender-expansive voices in public spaces—and the Climate Clock NYC, a monument to planetary time and global call to #actintime on the climate crisis.

Her art and public projects have been covered by major media outlets, including the New York Times and Los Angeles Times. Her essays and interviews appear in leading publications including Flash Art, The Believer, BOMB, and The Bulletin of Atomic Scientists.