CONFESSIONAL
Evening’s hem dipping into blackness Like a pen into ink to write No Trespassing—This Means You
On the sky made me anxious All my life. I drank whisky, picked up men In bars and other forests.
At 66, I cosset my fears Among cats and screens in bed, Paris Breakfast tea, toast and honey
The rarely questioned certainty That I won’t mind the coming end The dirt nap, phoenix attempt
Donated corpse cut open in a crowd Of like stiffs on the bright tables By an anxious student unable to discern
Vein from nerve, hacking My exquisiteness while the violet Bloom of his shame blots out
The tiny message I’m still sending Beaming like Voyager, fourteen billion miles out, Hello this means me hello
THE OBITUARY
for JM
Born extra soft-shelled We recognized each other
Students in the seminar with the not-yet Famous poet we both adored.
What is the essence of poetry? the poet asked. Sheened with ignorance like seabirds
After an oil spill, none of us had the answer.
Love, he said. I carried from the room Such a light surprise.
*
How I remember you: Book-drunk, beer-drunk, Mansplaining, touchy. Words hardened to talismans Worn like shark teeth Around a tender neck. Lover ex, x’d again.
You explained why a career Would come easily to me: “Your looks.” Your best friend, visiting campus, Said we looked like siblings But I was prettier. I thought of my dead brother With your mouth and the army Of fears swarming my words Kibitzing my stumbles.
*
New York City, mid-80s. I was married, you lived alone In an apartment you described variously As a storage locker for the body Prison cell for the mind Soul cocoon. I wanted to see it But you wouldn’t let me in. You spent nights driving a taxi, Barely paying the car rental fee Dumpster diving, growing thin.
In Manhattan, to run into an old friend Over and over on the street Though living in different neighborhoods Is fate—I lent you money. “Maybe he cruises our block,” My husband said.
You still owe me nine hundred dollars.
After a two-year break, we met again In an AA church basement in Soho. Around the tables, earnest talk. You wrestled with the concept of higher power Self-conscious about humility, That required virtue, Bending your intellect to its fit, Still the village explainer. I clung to you, then I drifted.
*
In the nineties, bitterness. I watched you chop up the old poems Like cocaine, except this drug, Consumed, was still there, On the coffeeshop table, near the pie Unnerving shimmer, imagery Reminding me of our raw youth. Where shall I send them? you asked. Do you know anyone?
I knew only we were both shackled to grief Thrashing in our nets of self Beginning to fail. I didn’t say that, to you or anyone. Façade is half the battle. I had published books.
*
You married, fathered a daughter, Got a job writing opinions For a judge on the appeals court Downtown. I saw your wife once At the Knickerbocker on University Place. You came to our table in the bar Leaving her with her parents Visiting from out of town. You were still sober, Fierce as a spurned prophet, Fat as a walrus. Never stopped smoking.
*
You emailed in 2016 Mentioning divorce, cancer, new poems. I asked to see them. Clever fugitives concealing their tracks. I read them but couldn’t Read them. I tried again the other day.How I remember you: so young. New Hampshire, snow crystals In our nightingale throats, Buttons hanging by threads. Schooled by the best – or so we believed – Who was it who said Learn to write by reading Obituaries? Yours almost embarrassing Mentioning the famous poet. The high points you told your kid.
*
He’s still hale in his eighties Giving craft talks on Zoom. I watched him, sheltering in place, When you were three years dead.
Margaret Diehl is the author of a chapbook of poems it all stayed open, (2011) Red Glass Books; two novels, Men (1988), Me and You (1990), a memoir, The Boy on the Green Bicycle (1999), all from Soho Press. A second chapbook, Exit Seraphim, is upcoming from Ravenna Press in the spring of 2023. She has published poetry, essays, and fiction in many literary journals. She lives in NYC and works as a fiction editor.