Viewfinder (For My Father)
Machine Hunger (In-Sink-Erator)
Idlewild
I had a memory of flight, how I’d stood in my bedroom on the eleventh floor, balancing on a multicolored ball, willfully heaving myself to a place of hovering in the air. I liked the idea that wanting anything badly enough could make it happen. I never told my parents this, the way I told them I could count to a hundred, tie my shoes — childhood’s expected, onerous tasks.
I had no fear of heights, volunteered to be the first to fall from the topmost place on the tallest ladder I’d ever seen into the arms of all those serious looking, nervous boys — a theatre exercise in trust, something I’d lose within a single year. But inside that backwards falling motion, it felt as if bodies were meant for this. And gravity was something I could trust, could easily have fallen into bed with, mistaken it for flight.
I never wanted to be a bird, didn’t want the hard work — feeding others, building nests, lit glass in the skyscraper night. I knew what could happen if you tried to cross the line of the species you were meant to keep inside. How badly it hurt the mermaid, for example, walking across what would never feel like sand, only shards of glass beneath her new and tender feet. I’d like to have warned her, asked, Would he do that for you? Your human prince?
But I still sometimes believe the birds in the trees outside the window on President Street are speaking to me — even in a language they know I can’t speak or sing. Not that they are singing only for me — I’m not that far gone — but that their inscrutable music — throat-warble, feather-whisper, rustle and click — might hold a message I’ve yet to uncode from someone I once knew — just possibly, in this instance, taking the form, if not of a bird, then of sound itself — those riotous notes, so urgent and out of reach.
And so, I listen closely, taking in their song, not so much because I’m thirsty that way, but because — if there’s even a chance — wouldn’t it be foolish, a grave mistake not to listen, not to believe. Leaves, branches, the wind — so much green and air — as good a place as any I’ve ever seen to fly.
Show and Tell
Lisa Andrews is the author of The Inside Room (Indolent Books, 2018), and Dear Liz (Indolent Books, 2016). Publications include Cagibi, Cordella, Gargoyle, Painted Bride Quarterly, POST(blank), and Zone 3, as well as Gargoyle Online and the Pine Hills Review. Her work may also be found in the anthologies Braving the Body (Harbor Editions, 2024), and Unsinkable: Poetry Inspired by the Titanic (Salmon Poetry, 2026).