Like Flies on Sherbert

Yesterday two fighter jets flew across a Sunday afternoon’s
blue skies. Another day the sound of sirens and helicopters
pierced an early evening’s calm remembrances. My ancestors
sailed on a Manila galleon that landed on northern California’s
rocky shore over four centuries ago, back when it was called
Place of the Dogs by the Chumash, who then stabbed those
water profiteers and sent them cruising the fuck off to Acapulco.
When is there a day without war or crime or the obvious con-
catenation of the two? I scream to be beautiful, I live to make
mistakes. And the cars and planes passing by me and above me
are indifferent angels, taking travelers to far places from whence
they can never return. Some days I believe the world will never end,
some days I wish I could go on like a gathering of flies in late
afternoon, all of us left behind and lost on a winding gravel road.

Distress

I had silently vowed never to write a poem about simple per-
sonal distress but here it is. The shallow displays of angst in
today’s popular music distress me. Plot devices that claim to
be clever, but are merely cute, in the current cinema place a

great strain on my attempts at intellectual generosity. The im-
mediate fading from the memory of most contemporary novels
is a phenomenon that disappoints me in unspeakable ways. But
it occurs to me that I am still refusing to break my vow. That

Switzerland will forever retain its stance of neutrality while
boasting a high percentage of the world’s obscenely rich. That
desolation, alienation, and disaffection are the words I find becalm-
ing above all others. I’m speaking of the weariness I sometimes feel

looking at my fellow humans beings. I’m standing here, helpless-
ly trying not to listen to them, smothering my affection like a highway.

Last Year at Marienbad

I just got lucky. The eighties were filled with landscapes painted
with rough brush strokes that left me with all my faculties intact.
The wind was at my back and the clouds drifted away from me
like the sound of people driving fancy cars. In the sixties I could
run, I could dance, I could surrey, I could picnic like Laura Nyro.
The generations that follow me find it difficult to understand
how much work I had to do to reach this fragile state of mind
or all the stairs I had to climb in the middle of this tiny room.
The nineties were not a blur, after all, and you were there with
a bag of blue and white stones that hit all the right notes and
destroyed everyone in the world we ever hated just like that
it was so fucking cool. I’m fortunate to have known you and
my life has been enriched by your brief presence and beautiful
spleen and never again will anyone fuck up as much shit as us.

Jose Padua A Short History of Monsters was chosen by Billy Collins as the winner of the 2019 Miller Williams Poetry Prize and is out from the University of Arkansas Press. His poetry, fiction, and nonfiction have appeared in many publications. He has read his work at a lot of places. He and his family live in Lancaster, Pennsylvania.