Three Sisters

Serafina and the Sex Offender
She is beside herself, shows me the letter
with shaky hands. Local police report
a registered sex offender has moved
to the area, not far from her squat bungalow
in the Jersey Pine Barrens. Serafina curtails
her morning walks, plops a Virgin Mary
statue on the front lawn, double locks
her doors. My never-married aunt remains
safe behind familiar borders as she scans
the street from her windows.

Sofia and the Storm
First thing in the morning, Sofia turns
to the weather channel, studies patterns
that reveal sleet, snow, rain, heat, fog.
Today, a storm snakes up the Coast
heading for Sofia’s Brooklyn flat. Sofia
rarely ventures outside, prefers to avoid
the vagaries of weather. She is content
behind glass doors leading to her terrace
where canvas chairs remain folded, smeared
with bird droppings, dead bugs, rotting leaves.

Filomena and the Phone
Another phone is delivered to Filomena’s
row house in Queens. This new model,
with its giant numbers, is her seventh
in two years. Filomena keeps a phone
in each room, and a few more to spare
in the cellar. My shy, socially awkward
aunt does not mind that incoming calls
are sales pitches or wrong numbers.
They keep her connected to the world
beyond her walls. Besides, she says,
you never know when someone
important might call.

The Lonely Stones

In this sprawling gray complex of the dead, I clutch scrawled directions torn from an old journal. Section 8, Block 15, Lot 9, Grave 2. After a long while, I give up, knock on the office door, tell them I can’t find my mother. I don’t say I have not visited in years. They hand me a map, and now it is raining and this unforgiving ground dissolves to mud. I head for St. Francis of Assisi, turn my back, walk past three more rows, take a dozen steps to the left, see her stone. I see what remains of the hyacinth ordered for her birthday. My fingers trace the fading inscription:<i> Beloved Wife and Mother</i>. I try to forget how we moved away, picked up our lives without her. Now, it’s dark. More rain. I leave this cluster of solitary shadows, vow to return next year.

Circles

I style and spray my bubbled hair into a globe,
show up on time to type, file, fetch coffee for men
we call Mister. I work at the local plant that molds

ground beef into perfect round patties for the new
fast food chains, places we once cruised for older guys
to buy us malt liquor. I suppose we drank to forget

the vanilla futures waiting to claim us. These days,
I try to forget my husband is cheating on me
with his best man’s date, try to ignore the crushed cans

lining the floor of our dented Chevy. I join
the company bowling league, wear a polyester shirt
stitched with a grinning hamburger patty.

I watch the balls spin and snake down the alley, watch
pins explode as our team struts and high-fives each other.
We move to the bar for gin & tonics. Later, I drive home

to our apartment stocked with wedding gifts, some
still wrapped and bowed. Hours pass before I fold
into bed. I leave the lights on for my husband.

Another year will be lost before I slip the ring
off my finger, begin to imagine something beyond

this circle of silent despair that has girded
my twentieth year.

Irene Fick of Lewes (DE) is the author of The Wild Side of the Window (Main Street Rag) and The Stories We Tell (Broadkill Press), each awarded first place honors from the National Federation of Press Women.  Irene’s poetry has been published in such journals as Poet Lore, The Broadkill Review, Gargoyle, Willawaw Journal and Blue Mountain Review. Her poetry has been nominated for the Pushcart Prize and Best of the Net.