My Dad

My dad is leaving this waking world.
He sleeps for hours in the daytime.
He breathes through his open mouth.
He stares through his closed eyelids.
His bony feet make small tents
in the star-pattern quilt.

The Toenail

I found the toenail of the truth
in a pile of oyster shells behind a restaurant.

The truth is immense,
And so is its toenail.

Like a shovel’s translucent blade,
the toenail barely fits in my leather satchel.

Whenever I encounter a head-scratching question,
I unbuckle the satchel and ask for help.

It’s dark in there; I can barely see,
but I can hear the drumming.

I lean in, but the toenail is sharp,
and soon my cheek is bleeding.

“Do you promise to tell the truth,” I asked,
“the whole truth and nothing but the truth?”

“How can I?” came the reply.
“I’m the toenail, just a part of the truth.”

It wants to be reunited with its toe.
It pulls me this way and that,

left when I want to turn right,
straight when I want to go back.

I never knew the truth
could be so much trouble.

By now, I’m used to it
squirming like a cat in my satchel.

Better a piece of the truth
than no truth at all.

Film Noir

We were watching a black-and-white Philip Marlowe
on a color TV on a hot August night in Baltimore
when the screen and living-room lights blinked off.
Light then darkness, like a prophecy.
Darkness in every room in the house.
Darkness in every house in the neighborhood.
Darkness and no idea where we stored
the candles and flashlights.

With the light of our cellphones,
with fear and courage, we go searching
through a house suddenly invisible.
Kitchen junk drawer? No.
Upstairs linen closet? No.
Pantry shelf by the mousetraps? Bingo.
But the candles need matches,
and the flashlights need batteries,
and the search continues.

Batteries are found, and one flashlight actually works.
“Turn your phone off,” she says, “and save the battery.”
I plunge into the basement,
sweeping aside cobwebs with my left arm, and find
the breaker panel in the non-working basement bathroom.
Flip all the breakers off. Flip all the breakers on.
Darkness remains.
Circumstances are beyond our control.

We sit at the dining room table,
two tapered candles flickering between,
a romantic scene, perhaps,
but not a romantic situation.
Our faces hover in the shadows,
two moons hovering in the sky,
attracted by the gravity of knowing
separated by the centrifugal force of not knowing.

El Presidente Mosquito

Even when the sun comes out,
the flood continues to attack us.
After the monsoon, the swollen tributary
receded to stepping stones of puddles.
A month later, from the puddles rise
electrified clouds of mosquitos
with needles sharp as razors,
plump with our blood
and hungry for more.

Even when the tyrant is overthrown,
he assails us still.
We seek asylum in the mountain jungle.
We climb the switchback trails
into a grove of ginger and coconut,
coffee and creeper vines,
but at every altitude
the silhouettes of armed men
and the buzzing of insects.

Geoffrey Himes’s poetry has been published by Best American Poetry, Pacific Poetry, January Review, Survision, Pendemics, Innisfree Poetry Journal, Gianthology, December, the Delaware Poetry Review, Salt Lick, the Loch Raven Review, and other publications. His poems are included in the print anthologies Singing in the Dark. The Ground Under Our Feet and Poet Trees: Poetry Hiding in Plain Sight. His song lyrics have been set to music by Si Kahn, Walter Egan, Billy Kemp, Fred Koller and others.  His book on Bruce Springsteen, Born in the U.S.A., was published by Continuum Books in 2005. He has written about popular music for the Washington Post, New York Times, Rolling Stone, Smithsonian Magazine, Paste, Downbeat, Sing Out and the Nashville Scene since 1977.