CRUSHED
I often bumped into G. at the neighborhood farmer’s market and asked after his son, a young man who barely spoke to him. “I can’t worry anymore,” said G. “I love him the best I can.” I came close to asking G out. One day at the market he touched my shoulder. “Would you care for half my salad greens?” he said. “Take some cilantro, and blueberries too.” He carefully divided his purchase and we strolled side-by-side.
G. died suddenly a few months later, at the start of fall semester. It shocked and terrified everyone. I wept on-and-off for weeks. At his memorial women came out of the woodwork, men too. Former lovers, including a young tutor from the Writing Center, those in his card game, an invitation-only soiree I never knew about. People who played basketball with him, friends from childhood. The surgeon who repaired G’s shoulder remarked on how G.’s desire to finish his doctoral thesis gnawed at him even though he didn’t need it as a tenured instructor. I could hear G. speak in his Brooklyn accent: “I messed up my marriage and fatherhood. The least I can do is finish the book.” The surgeon said that G. spent more time lately in the library than at the race track, and that he was happy to announce that G.’s adviser approved his final draft, so at least G. died with his Ph.D.
A photo of him, casual yet semi-pissed off, is pinned over my desk. After the memorial, I realized my connection to G. was not all that special. I had access to a mere fraction of G’s personality and desires.
I am grading essays when the new hire bursts into my office wearing a dark suit and a fedora. “Can you explain this rubric,” he asks, holding a dense graphic sheet before my eyes. The new hire looks tired; he reeks of rotten eggs. After I answer his questions and send him off, I gaze up at G.’s glorious smirk. “I’ll quit being an idiot about him,” I say. “You don’t need to remind me.”
Cheryl J. Fish is a poet, fiction writer and environmental humanities scholar. Her debut novel, Off the Yoga Mat, was published by Livingston Press/UWA in Oct. 2022. She is the author of The Sauna Is Full of Maids, poems and photographs celebrating Finnish sauna culture, travel, and friendships, and Crater & Tower, poems reflecting on trauma and ecology after the Mount St. Helens Volcanic eruption and the terrorist attack of 9/11. Fish has been a Fulbright professor in Finland, and is a co-editor with Farah Griffin of A Stranger In the Village: Two Centuries Of African-American Travel Literature and she is the author of the study Black and White Women’s Travel Narratives. Fish’s poems have appeared in Hanging Loose, Maintenant, Terrain, Mom Egg Review, New American Writing, Reed, Postcard poems, Santa Monica Review, About Place Journal, ISLE and Poetics for the More-than-Human-World. Her short fiction has appeared in Cheap Pop, Iron Horse Literary Review, Liars League, Spank the Carp, Boog City, and KGB Bar Lit. She is a creative writing editor of the journal Ecocene: Cappadocia Journal of Environmental Humanities, professor of English at BMCC/City University of New York, and docent lecturer at University of Helsinki.