Hey 19 (after Steeley Dan)
That year, 1970 all 365 revolutions balled in confusion fragile fabric war peace love part ditty part dirge.
You then, dark eyed blues baby boned tender blackbird girl, woman girl. jagged edged witness seeking mother tongue birthright roaming spaceways some shadow some light
Now here, you dancing a two step with memory and knowing I promise you girlie your secrets are poems.
Freedom
I remember a flowered bed spread tucked neatly around a fold out sofa a polyester garden of wilted pansies likely chosen to match the fading wallpaper a vain attempt I’m sure, to bring the outside in as they say in all the magazines.
I remember a console sitting over in the corner as old and tired as the fading wallpaper but Sammy Davis Jr. would sing right to me- Hey there, you with the stars in your eyes.
Such high fidelity! I’d twirl and twirl going around with the record catching glimpses of pansies from the corner of my eye.
I could not have been more than three or four too young to understand the meaning of anything: our two-room apartment down a long dark hallway first floor back behind the colored hotel my parents sleeping under a polyester garden on a sofa that folded out into a room meant for living.
I was much too young and didn’t understand that the voice I heard the man crooning in the console was a one-eyed negro singing for his supper and the colored hotel was named for Crispus Attucks a runaway slave, and the first man to die for the America dream.
How could I know as I twirled and twirled around in that room that my mother was dreaming on the fold out sofa of a house with a yard full of real pansies blooming and a bedroom fit for a proper lady. What did I know? I was just a little girl who could feel the music and it felt like freedom.
Please: A Soulful Sonnet
Do not swear you love me, so unquenchably,
with verses blooming sweet and blooms as rare as truth.
So rare is truth, dear sir. I fear you do not love me as you swear!
For this, I dare not hold your tender gifts
too close to head or heart,
Or lay too long inside your outstretched arms.
What is this love to you, I ask?
Four letters? An ancient hieroglyph of spheres
and lines to tie and bind my mind, my very soul?
A bid to own my woman-ness-
that deep and cavernous mystery
in me that riles your rest and haunts you so?
I do not know. But I watch your favor turn to dust,
your fervor cool to almost nothingness when I am most myself.
So rare is truth.
Bernardine (Dine) Watson is a nonfiction writer and poet, originally from Philadelphia, but who now lives in Washington, DC. She has written on social policy issues for numerous major foundations, nonprofit organizations, and for the Washington Post “Health and Science” section and She the People blog. Her poetry has been published in numerous journals and anthologies, including Beltway Poetry Quarterly, Bourgeon, Rising Voices/ University Professors Press, Sanctuary/ Darkhouse Books, and The Great World of Days/ Day Eight Arts. She has also read her poetry in various venues around the DC area as a member of More Than a Drum Percussion Ensemble. Dine is a member of the 2015 class of the DC Commission on Arts and Humanities Poet in Progress Program and was selected to participate in the 2017 and 2018 classes of the Hurston Wright Foundation’s Summer Writers’ Workshop for Poetry. Her book, Transplant: A Memoir, won the Washington Writers’ Publishing House 2023 prize for nonfiction and will be published in October 2023. She is a member of Day Eight Art’s Board of Directors.