Windows

I’m thinking this morning about Billy Collins
writing in a roundabout way
that a poet’s major qualification
is the ability to stare out a window
actively for hours, observing
peonies bobbing their big pink heads,
the fawn’s mama chasing a stray cat,
or the garbage truck grinding by the driveway
like a tank in which someone
left a dead fish under the seat as a prank.
I used to believe that was the sort of poet I’d be,
watching the shirtless neighbor mowing his lawn &
wondering if aliens on other worlds
keep grasses that need trimmed.
Instead, I’m a poet who stares through
windows of my compact Ford
as it rolls along on its way home,
or stalls, stuck in traffic.
Left, right, straight ahead—I look,
noting rows of candy corn
where the road has been closed for construction,
a collision, or some minor disaster
like today when a tractor trailer jackknifed
in a slick curve, spilling acetone
over the highway & city street below.

Flirtation

Enjoy the playfulness, teasing, toying:
cashier at the window blushing
as he compliments my shirt,
barista giggling as she moves her hands
beneath the snoring steam. Yesterday, a woman said hello,
which jarred me, & a man spoke
of his costume for the after-party,
each as exciting as a movie
in which love survives
a bear attack & broken ankles.

Can’t be young again; can pretend,
like tossing a baseball
without being Willie Stargell.
Could run those bases, I think
some days. The idea is enough.

Ace Boggess is author of six books of poetry, most recently Escape Envy. His writing has appeared in Indiana Review, Michigan Quarterly Review, Notre Dame Review, Hanging Loose, and other journals. An ex-con, he lives in Charleston, West Virginia, where he writes, watches Criterion films, and tries to stay out of trouble. His forthcoming books include poetry collections, My Pandemic / Gratitude List from Mōtus Audāx Press and Tell Us How to Live from Fernwood Press, and his first short-story collection, Always One Mistake, from Running Wild Press.